Christoph Waltz is Max Borlund, a bounty hunter offered a $2,000 reward if he can bring a wife back alive.
The wife of wealthy Martin Kidd has been kidnapped by Elijah Jones (Brandon Scott), a black trooper who has deserted his post and is now demanding a $10,000 reward for her return.
He’s fled into Mexico, so Borlund follows with Sgt. Poe (Warren Burke), another buffalo soldier, as his companion.
Poe was friends with Jones. In fact, he has a map to where Jones headed. Seems Jones expected Poe to be the soldier delivering the ransom.
But Poe also has a warning for Borlund. If Rachel Kidd (Rachel Brosnahan) is with Poe, it’s of her own choosing. His friend might be a deserter; he isn’t a kidnapper.
Finding the couple — capturing Jones and rescuing Rachel — proves relatively easy. But that’s just the beginning of Borlund’s challenge.
Poe was right. Rachel wasn’t exactly looking to be rescued. And she has absolutely no desire to be reunited with a crooked, abusive, cheating husband.
What’s more, Borlund and Poe have stumbled into an area of Mexico where Tiberio Vargas rules the roost.
And Vargas considers them enemies since he was expecting to wind up with $5,000 of the ransom money to spirit Rachel and Jones out of the area. Borlund has spoiled that deal.
What’s more, Martin Kidd is heading south of the border to collect his wife. More likely to kill her, Rachel warns Borlund.
Then there’s outlaw Joe Cribbens, recently released from prison and with a long-held grudge against Borlund. He’s looking to do a favor for Vargas.
When you have Christoph Waltz returning to the bounty hunter role he played so memorably in “Django Unchained” (2012), expections among Western fans starved for a new classic are through the roof.
That’s especially true when you have Walter Hill, the guy who brought us “Broken Trail”(2006), “Geronimo: An American Legend” (1993) and “The Long Riders” (1980), in the director’s chair.
This film doesn’t quite meet those lofty expectations. Waltz’s character isn’t as memorable, the cinematography seems rather bland and the “willing” kidnap victim plot seems overused.
But don’t let that keep you from checking out this film. We still get fine performances from all the leads — something that seldom happens in a Western these days — and the plot delivers enough twists to keep thing interesting, especially once the Martin Kidd character gets back in town.
It certainly helped that Hill had a budget obviously much larger than most directors have these days when trying to put together an entertaining Western.
Directed by:
Walter Hill
Cast:
Rachel Brosnahan … Rachel Kidd
Willem Dafoe … Joe Cribbens
Christoph Waltz … Max Borlund
Hamish Linklater … Martin Kidd
Benjamin Bratt … Tiberio Vargas
Guy Burnet … English Bill
Brandon Scott … Elijah Jones
Gabriela Alicia Ortega … Background
Luis Chavez … Esteban Romero
Warren Burke … Sergeant Poe
Diana Navarrete … Mexican maid
Diane Villegas … Esperanza Hinajosa
Scott Peat … Jack Tyree
Shawn-Caulin Young … Luke Schoonover
Herman Johansen … Capt. Orville Brand
J.D. Garfield … Luis Andrade
Fidel Gomez … Capt. Miguel Aragon
Jackamoe Buzzell … Jack Hannon
Runtime: 107 min.
aka:
Moon of Popping Trees
Memorable lines:
Elijah Jones: “You know, you’ve been acting jumpy the last couple of days.”
Rachel Kidd: “I’ve come to realize, my whole life I’ve done impulsive things. They don’t always work out.”
Rachel Kidd to Elijah Jones, as she practices her skill with a derringer: “I’ll never give them the pleasure of watching me cry.”
Sgt. Poe, as riders approach: “Outlaws?”
Max Borlund: “Until proven differently.”
Jack Tyree, one of Vargas’s men, on meeting Max Borlund and his black companion for the first time: “Who the hell are you?”
Sgt. Poe, pulling his pistol: “I’m the fella with the gun. Who the hell are you?”
English Bill, convinced Cribbens has been cheating at cards: “I’ll tell you this, Mr. Cribbens, you’re damn lucky I’m not wearing a gun.”
Joe Cribbens: “And I’ll tell you this, English Bill, you’re damn lucky I don’t put a bullet up your ass just on general principle.”
Max Borlund, facing a possible showdown with Cribbens: “I’m giving you a clean start. Don’t be a damn fool.”
Joe Cribbens: “I was born a fool.”
Rachel Kidd, after being wounded in a shootout: “I’ll wear my scar as a badge of honor.”
I’m really excited to check this out. I’m a little unsure about the strange choice of lens/coloring but with Walter Hill and that cast it’s not something I can miss.
Good modern western with a great rainbow cast-liked the fact that all demographics were represented without any attempt at virtue signaling or trying to impart any racial lessons-just a decent story with many interesting characters of differing moral standards-or lack thereof. Waltz was fine but did not shine as in Django and Dafoe makes any film better just by showing up. Among the additional cast the lawyer and police captain both made the most of small roles-usually couldn’t care less what happens to a lawyer but did here and police captain upheld his honor when it all went down. One of the best recent westerns I’ve seen along with Old Henry and The Last Son.