Jack Kilmer is Jean Jacques Renau, aka Reno, and Camille Collard is Vegas. They’re a newly married couple bound for Nevada where they plan to open a saloon called Solomon’s Temple.
At least that’s the plan until the stagecoach in which they’re riding is stopped by three wanna-be bandits dressed in Confederate gray.
Reno springs from the stage, pulls out two six shooters and guns down all three outlaws.
But he’s a fast gun with a conscience and can’t stand the idea of letting their bodies lie rotting in the midday sun.
So he has the bodies tied to the back of the stage and dragged into the next town where the stage is stopping.
That turns out to be his big mistake.
Because the town is run by corrupt former Confederate Col. Clarence T. Bishop (Stephen Dorff). And one of those bodies is his brother.
Bishop is determined to avenge his brother’s death, even after a U.S. Marshal Roy Cutheon (Cole Hauser) shows up with a warrant for his arrest.
So Bishop challenges Reno to a game of Play for Keeps. If Reno loses, he hangs. If he wins, he gets to escape town with his life.
Well, Reno wins with the dead man’s hand. But Bishop, of course, has no intention of living up to his word.
He has Reno captured by his legion of henchmen. He cuts off both of the stranger’s trigger fingers.
And he has some nasty ideas for how to deal with Vegas as well.
A promising premise and a generally talented cast is wasted by a script that turns up way too many jokers to be taken seriously.
Director Brian Skiba lost me for good when our hero Reno is spirited off to an Apache camp carrying his trigger fingers.
A bit of medicine man magic later, he’s staggering back toward town with reattached fingers and armed with nothing but a tomahawk.
About that cast, Jack Kilmer — son of Val Kilmer and actress Joanne Whalley — isn’t the least bit convincing as the quick draw who cheats death time and again.
And his new wife endures enough abuse for several damsels in distress. She’s whipped, raped, shot and nearly hanged by the time the credits roll. Which makes her playful attitude when she and her new husband are trapped in a hotel by Bishop’s men seem sorta silly.
On the other hand, Stephen Dorff and Cole Hauser do their best to bring some grit to the proceedings and several supporting cast members — Forrie J. Smith, Vincent E. McDonald, Myah White and Louise Linton among them — look at home in front of the camera.
Shame they weren’t given a more plausible story line to work with. Had they been, one might even have been able to overlook Skiba’s penchant for over-the-top action scenes.
Directed by:
Brian Skiba
Cast:
Jack Kilmer … Jean Jaques Renau, aka Reno
Camille Collard … Vegas
Stephen Dorff … Col. Clarence T. Bishop
Cole Hauser … Marshal Roy McCutheon
Mo Brings Plenty … Mahto
Delilah Andre … Gouyen
Forrie J. Smith … Alexander
Vincent E. McDonald … Abraham
Myah White … Philly
Randall Batinkoff … Sheriff Winters
Louise Linton … Carrie
Costas Mandylor … Lucas
William McNamara … Johnny
Corin Nemac … Red
Tait Fletcher … Goliath
Forrest Wilder …Ed Bishop
Chandler Duke … Garrett
Laurie Love … Sarah
Runtime: 96 min.
Memorable lines:
Vegas, as the shotgun guard holds up a hand with a penny-sized hole blow through it: “Is your hand okay?”
The driver: “No!”
Reno, pointing to two men wearing Confederate uniforms: “Hey, they know the war’s over, right?”
Carrie: “I wouldn’t be so sure.”
Col. Bishop: “New game. Five-card draw. We play for keeps.”
Reno: “For keeps? I’m not familiar with that wager.”
Vegas, when Reno informs her one of the men he killed in the stage holdup was the mayor’s brother: “Next time, you leave those bodies to rot.”
Abraham, passing Reno his six-guns: “Now tell me, how you gonna shoot straight with those fingers?”
Reno: “Magic.”