Brian Presley is Jack Calgrove, a Union officer presumed dead, but really captured during the Civil War.
When he returns home after the war, he learns his wife has died and his three youngest children have been put on an orphan train bound for Independence, Missouri.
They’re to be reunited with Jack’s oldest son, Phil, who was wounded in the war, but survived. He’s been reassigned to Montana, where the Army is trying to tamp down Indian hostilities.
Phil’s plan is to take his three siblings West with him to start a new life there on land given him by the government.
By the time he leaves, he’s been joined by a whore (Brianna Elias at Ingrid) looking for a new life too and a group of orphans no one signed up to adopt.
Fearful because they’ll be traveling through hostile territory just after a bitter war, Jack Calgrove sets out in desperate pursuit of children who believe he’s dead.
He has a large contingent of his own, including a black fellow comrade, a freed slave who wants to recover her daughter and a band of Native American sharpshooters.
With the Cheyenne on the warpath, Jack’s concerns prove well founded.
A decent idea, above-average acting for a low-budget film and fine cinematography should have added up to a better movie.
And that’s disappointing, because some of the scenes here are downright touching, including the reunion of Phil Calgrove with his siblings and Ingrid’s hope that tagging along with the reunited family will mean a happier life for her.
But Jack Calgrove’s desperate chase of his children seems illogical and much of the action that takes place during that chase seems like contrived nonsense.
Apaches attack him in Missouri? Ex-Rebels assault a former slave, attempting to rape her, just moments after passing Calgrove and his companion — both armed — on the road?
And wasn’t there a telegraph in 1865? Wasn’t Independence, Missouri, a major stop on the war West? Couldn’t Calgrove send a message that he was alive and well and on his way?
The film’s plausibility is also stretched to the breaking point by political correctness. For instance, at the end of the attack on the Cheyenne village, there’s the equivalent of a group hug seem that just makes no damn sense at all.
Worth a watch because it’s better than most Westerns being released in the 2020s. But is should have been so much better.
Directed by:
Brian Presley
Cast:
Brian Presley … Jack Calgrove
Cooper North … Phil Calgrove
Jackson Presley … Charlie Calgrove
Emma Presley … Lizzy Calgrove
Ruby Presley … Lilly Calgrove
Brianna Elias … Ingrid
Craig Tate … Desmond Richards
Daelyanna Kelly Benson … Mary Beggs
Natalie Whittle … Alice Beggs
Lyndell Chee … Shantu
Matt McCoy … Andrew Lee
Brad Leland … Frank Smith
Brea Bee … Sarah
Law Tample … Daniel Glenn
Emily Shenaut … Esther
Tom Dragt … Sammy O’Hagen
Lorna Larkin … Mildred
Timothy Patrick Cavanaugh … Edward Pagan
Scott L. Perez … Charles Stanton
Runtime: 94 min.
aka:
The Orphan Train
Memorable lines:
Ingrid: “I had stopped believing in goodness, until the night we met. From that night on, I started thinking maybe there’s another way for me. Maybe with these children, I could be worth something.”
Jack Calgrove: “I’m gonna get your daughter back, Mrs. Beggs. And I’m gonna find my children. Nothing’s gonna stop me. Nothing.”
Memorable Line: Movie “Hostile Territory”
Lizzy Calgrove (Oldest Daughter)
“Father, you held my hand when I was small, you caught me when I fell, you are the hero of my childhood, and my later years as well. You taught me the purpose of life is to discover your gift, develop it, and give it away. I know heaven is a beautiful place because it has you.”
Memorable Line: Movie
“Hostile Territory”
Lizzy Calgrove (Oldest Daughter)
“Little did we know at the time, the only thing stronger than death was our Father’s love for his children.”