Someone is dealing rifles to the Apaches. White renegades are involved. And it’s the job of Capt. Haven (Stuart Whitman) and Sgt. Franklyn (Jim Brown) to stop the gun-running.
They recruit an unwilling ally in Jim Lassiter (Richard Boone), who hates the Apache for murdering his wife and child and now spends his days getting vengeance against any Indians he can find.
To even the odds on this mission, Lassiter insists they take along one of his less than honorable acquaintances, a womanizing Mexican named Rodriguez (Anthony Franciosa), who has a date with a hangman’s noose.
Their plan: Head south with a wagon load of gunpowder. Whoever stole 2,000 repeating rifles with the goal of arming the Apache will certainly find that bait attractive as well.
They soon discover that the man they’re looking for is Pardee (Edmund O’Brien), a former Confederate officer who has headed south of the border plotting the day when the South will rise again.
In their quest to find him, they come across a pretty Apache girl (Wende Wagner).
Haven thinks she might be helpful in finding Pardee. Lassiter thinks she’s just as likely to lead the small party into a trap.
Richard Boone steals the show with his gritty performance in this action-packed Western.
Okay, the characters spend a bit too much time snarling at one another, and wondering whether they’re being double crossed or not.
But the ending is especially effective with Pardee watching the final showdown from the porch of the mansion he’s trying to rebuild far, far from his old home on the Mississippi.
This marked the film debut for Jim Brown, who walked away from a career as a star running back for the Cleveland Browns to try his hand at acting. He’d appear in nearly 40 films and about a half dozen Westerns.
Wende Wagner’s only previous acting experience was as a stunt double and one episode of the TV series “Wagon Train.” She’d later marry James Mitchum, Robert’s son, and they had a child together. She appeared in just one other Western, “Guns of the Magnificent Seven.”
Directed by:
Gordon Douglas
Cast:
Richard Boone … Jim Lassiter
Stuart Whitman … Capt. Haven
Anthony Franciosa … Rodriguez
Jim Brown … Sgt. Franklyn
Wende Wagner … Apache girl
Warner Anderson … Col. Wagner
Edmond O’Brien … Pardee
Rodolfo Acosta … Bloodshirt
Barry Kelley … Croupier
Vito Scotti … Bandit
House Peters Jr. … Pardee officer
Kevin Hagen … Blondbeard
Runtime: 104 min.
Score: Jerry Goldsmith
Memorable lines:
Col. Wagner: “How does anyone get to you? How do I get inside those twisted guts of yours?”
Jim Lassiter: “You don’t.”
Col. Wagner, as Lassiter accepts the mission to track down Pardee: “You’ll give me your word you’ll get them there?”
Lassiter: “My word?”
Col. Wagner: “That’s right.”
Lassiter, laughing: “Well, for whatever it’s worth, you can have it.”
Rodriguez, referring to the Indian squaw: “What do we do with her?”
Jim Lassiter: “Shoot it.” Then he has second thoughts and hands Rodriguez a knife. “Better yet, save the bullet.”
Lassister to Capt. Haven: “You’re just stupid enough to become a general.”
Lassiter, as Haven prepares to kill an Indian who’s on fire: “Don’t. Let him burn. Burn!”
Sgt. Frankyn to Lassiter, after Haven fires the fatal shot: “Doin’ like they do don’t make it right.”
Pardee, showing off his mansion that’s little more than a facade: “Well, what do you say now? A miracle, isn’t it? Chihuahua instead of Louisiana. The Rio Conchos instead of the Mississippi. But here, Riverview, back to life again, as though it sprung from the ashes. Beautiful, isn’t it?”
Bloodshirt: “Lassiter… Lassiter… They tell me there is such a man, great killer of my people. Often I think, what kind of man is this Lassiter, that hunts the Apache like the Apache hunts the white eye? Now I look, I see, same as me,” He taps his chest. “Same hate here. I will tell you why Lassiter comes. To kill, and then to die!”
This is a good, tough, no-nonsesical westen that features fine performances from an excellent cast, good dialogue and fine action sequences!
delete this review.
This is a good, tough, no-nonsensical western that features fine performances, a very good script & terrific action sequences!
This film is excellent-not only a western but sort of a mission impossible undertaking with a Bond type villain near the end and an explosive finish that really brings it home with a shocking conclusion that shows the extremes men will go to for not only hatred, but also redemption and honor. Made in 1964 this film surprisingly deals with tough social issues right from the start with a totally inappropriate racially motivated slaughter by an extremely damaged alcoholic with nothing left to lose. This massacre and the need for a drink lead to an exciting adventure with interesting interactions along the way, plenty of brutality and a general uncertainty of who can be trusted from moment to moment. This eventually leads to a greed driven betrayal you really don’t see coming until the very moment it occurs. Eventually respect is gained among unlikely companions and two men of much different backgrounds and temperaments join together to defeat evil while knowingly making the greatest sacrifice together, both of their own volition. Richard Boone gives the performance of a lifetime, from totally indifferent to manic and Jim Brown says more with his actions and demeanor than he does with his sparse dialogue providing an excellent film debut. Stuart Whitman is the consummate stoic leader and Tony Franciosa is great as a womanizing and likable but possibly untrustworthy companion right up until you realize his true motivation. Edmond O’Brien gets a nod for his short but quirky performance as a mad-man with a chip on his shoulder. This film was Americas spaghetti western and a must see!
How on earth did they get that incredible scene where Lassiter (Boone) smashes the
Apache (Acosta) over the head with what appears to be a lethal glass cabinet? And great
too is the meeting with the Mexican bandit who is sorely in need of mucho dentistry but
never stops laughing (till the final bullet). And why was Timothy Carey (from Kubrick’s
classics, ‘Paths of Glory’ and ‘The Killing’) not given a credit?
A tough Western that deserves more credit (and TV showings).